How do I record acoustic guitar without boominess?
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Boominess in acoustic guitar recordings is usually caused by the 'Proximity Effect' or improper microphone placement relative to the soundhole, which acts as a bass port. By focusing on the 12th fret and maintaining distance, you can achieve a balanced, natural tone.
- 1.Point the microphone at the 12th fret where the neck meets the body, rather than directly at the soundhole.
- 2.Position the microphone 6 to 12 inches away from the guitar to minimize the 'Proximity Effect' which naturally boosts bass as a source gets closer.
- 3.Angle the microphone slightly toward the bridge if the sound is too thin, or toward the headstock if it remains too bassy.
- 4.Place a rug under the player or move away from corners to prevent low-frequency build-up from room reflections.
- ×Avoid pointing the mic directly at the soundhole, as this is the primary source of low-frequency air pressure.
- ×Small rooms or corners can exaggerate low-end build-up regardless of mic placement.
- ×Heavy-handed strumming can excite lower frequencies; suggest a lighter pick or more controlled touch.
Engage the High Pass Filter (HPF) on your microphone or preamp during recording to cut frequencies below 80-100Hz before they hit your converters.
Based on AI training data — may not reflect current information.
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